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Clokwork Orange (La
Naranja Mecánica)
1971 -
UK -
137 min. -
Feature, Color
Director:
Stanley Kubrick
Cast:
Malcolm McDowell,
Patrick Magee,
Michael Bates,
Warren Clarke,
Adrienne Corri.
More Information:
All Movie Guide
Características del DVD
- Lang.: English
/ Subtitles in
Spanish
Alquílela
por (rent it for): $3.77
(dos días - two days)
Si vive en
Weston (if you live in Weston)
Sinopsis
(All Movie Guide)
Stanley Kubrick dissects the nature of violence in
this darkly ironic, near-future satire, adapted from
Anthony Burgess's
novel, complete with "Nadsat" slang. Classical music-loving proto-punk Alex (Malcolm
McDowell) and his "Droogs" spend their nights getting high at the Korova
Milkbar before embarking on "a little of the old ultraviolence," such as
terrorizing a writer, Mr. Alexander (Patrick
Magee), and raping his wife while jauntily warbling "Singin' in the Rain."
After he's jailed for bludgeoning the Cat Lady (Miriam
Karlin) to death with one of her phallic sculptures, Alex submits to the
Ludovico behavior modification technique to earn his freedom; he's conditioned
to abhor violence through watching gory movies, and even his adored Beethoven
is turned against him. Returned to the world defenseless, Alex becomes the
victim of his prior victims, as Mr. Alexander using Beethoven's Ninth to
inflict the greatest pain of all. When society sees what the state has done to
Alex, however, the politically expedient move is made. Casting a coldly
pessimistic view on the then-future of the late 1970s-early 1980s, Kubrick and
production designer
John Barry
created a world of high-tech cultural decay, mixing old details like bowler
hats with bizarrely alienating "new" environments like the Milkbar. Alex's
violence is horrific, yet it is an aesthetically calculated fact of his
existence; his charisma makes the icily clinical Ludovico treatment seem more
negatively abusive than positively therapeutic. Alex may be a sadist, but the
state's autocratic control is another violent act, rather than a solution.
Released in late 1971 (within weeks of
Sam Peckinpah's
brutally violent
Straw Dogs), the film sparked considerable controversy in the U.S. with
its X-rated violence; after copycat crimes in England, Kubrick withdrew the
film from British distribution until after his death. Opinion was divided on
the meaning of Kubrick's detached view of this shocking future, but, whether
the discord drew the curious or Kubrick's scathing diagnosis spoke to the
chaotic cultural moment,
A Clockwork
Orange became a hit. On the heels of New York Film Critics Circle awards
as Best Film, Best Director, and Best Screenplay, Kubrick received Oscar
nominations in all three categories.
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