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2001 A Space Odyssey
1968 -
USA /
UK -
139 min. -
Feature, Color
Director:
Stanley Kubrick
Cast:
Keir Dullea,
Gary Lockwood,
William Sylvester.
More Information:
All Movie Guide
Características del DVD
- Lang.: English
/ Subtitles in English,
Spanish
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por (rent it for): $3.77
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Sinopsis
(All Movie Guide)
A mind-bending sci-fi symphony,
Stanley Kubrick's
landmark 1968 epic pushed the limits of narrative and special effects toward a
meditation on technology and humanity. Based on
Arthur C. Clarke's
story "The Sentinel",
Kubrick's
and Clarke's
screenplay is structured in four movements. At the Dawn of Man, a group of
hominids encounters a mysterious black monolith alien to their surroundings.
To the strains of
Strauss'
"Thus Spoke Zarathustra," a hominid discovers the first weapon, using a bone
to kill prey. As the hominid tosses the bone in the air,
Kubrick cuts
to a 21st- century space craft hovering over the earth, skipping ahead
millions of years in technological development only to imply that man hasn't
advanced very far at all psychologically. U.S. scientist Dr. Heywood Floyd (William
Sylvester) travels to the moon to check out the discovery of a strange
object on the moon's surface: a black monolith. As Floyd touches the mass,
however, a piercing sound emitted by the object stops his fellow investigators
in their path. Cutting ahead 18 months, impassive astronauts David Bowman (Keir
Dullea) and Frank Poole (Gary
Lockwood) head towards Jupiter on the space ship Discovery, their only
company three hibernating astronauts and the vocal, man-made HAL 9000 computer
running the entire ship. When the all-too-human HAL malfunctions, however, he
tries to murder the astronauts to cover his error, forcing Bowman to defend
himself the only way he can. Free of HAL, and finally informed of the voyage's
purpose by a recording from Floyd, Bowman journeys to "Jupiter and Beyond the
Infinite," through the psychedelic slit-scan Star-Gate to an 18th century
room, and the completion of the monolith's evolutionary mission. With
assistance from special effects expert
Douglas Trumbull,
Kubrick
spent over two years meticulously creating the most "realistic" depictions of
outer space ever seen, greatly advancing cinematic technology for a story
expressing grave doubts about technology itself. Despite some initial critical
reservations that it was too long and too dull,
2001 became
one of the most popular films of 1968, underlining the generation gap between
young moviegoers who wanted to see something new and challenging and oldsters
who "didn't get it." Provocatively billed as "the ultimate trip,"
2001 quickly
caught on with a counterculture youth audience open to a contemplative, i.e.
chemically enhanced, viewing experience of a film suggesting that the way to
enlightenment was to free one's mind of the U.S.
military-industrial-technological complex.
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